![]() It’s alien and ambient but also pounding and raucous when it needs to be. And driving it all along is an eerie score by Westwood luminary and future composer of the Command & Conquer soundtracks Frank Klepacki. It wraps it all up in a bulky, but themed UI, where players can select the types of buildings and units to create from a full-screen catalog, or consult their Mentats at the push of a button. This is where PC RTS games finally take shape, weaving ideas and interfaces together from Technosoft’s Herzog Zwei and Peter Molyneux’s weird ass god simulator, Populous. It’s a more rudimentary game than contemporary players would probably expect from even “retro RTS games,” but it also predates Warcraft: Orcs & Humans by two years. The Classic RTS for Discerning Individuals: Dune II: The Building of a Dynastyīefore Command & Conquer, there was Dune II: The Building of a Dynasty, featuring three factions (House Atreides, House Harkonnen, and House Ordos), each with their own unique tactical component (Atreides can recruit Fremen, Ordos get mind-control gas missiles, and Harkonnen can nuke you from orbit). I’ve got the ancillary Dune media properties you need… No, we don’t talk about what happened after Chapterhouse.) Anderson call “prequel” novels (or help you recover if you decided to go beyond the six main novels. We’re going to save you from sullying yourself with the abominations that Brian Herbert and Kevin J. And that they’re all good in their own ways. What if I told you there were videogames. Maybe you even tried some of the SyFy miniseries (they’re rough, I know, but you’ll take what you can get at this point-you need your fix like the Imperium’s melange addicts need their extremely on-the-nose metaphor for fossil fuels, and young James McAvoy is a delight). You came home and burned through David Lynch’s (fuck him and fuck NFTs) substantially weirder version. You snuck away to an IMAX in the middle of a pandemic and gorged yourself on the latest adaptation. It’s the kind of shit that inspires concept artists and writers to go balls to the wall with their most monumentalist impulses. It’s the desert adventure of Lawrence of Arabia, with the maximalist fantasy world-building of The Lord of the Rings, but it’s also extremely 1960s sci-fi bullshit. It seems like a white savior colonial fantasy, but then it goes all tits up.
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